“The Drum Speaks, the Word Creates:” Evaluative Resonances in Ladrão de Marabaixo Aonde Tu Vai Rapaz [Thief of Marabaixo Where’d Ya Go Man]

ABSTRACT In this study, we present an analysis of the utterance Aonde tu vai rapaz [Where’d Ya Go Man], focusing on linguistic-enunciative resources from a dialogic perspective. The methodology consists interconnected to concepts chronotope, ideology, utterance, dialogism, and social axiologies. Results reveal that institutionalized ideologies tend nullify one in everyday life. However, those results are confronted some way with counter word is manifested by ladrão de marabaixo chants. Intonation refracts pain, lamentation, indignation, anger, slander, addition expressing value judgments disapproval opposition. Re-enunciation everyday-life allows us take glimpse at segregation, denunciation, powerlessness, silencing culture identity. same time, it reverberates consolidated values such as African descent, identity, resistance, resilience, re-existence.